So, I think I reviewed the previous book, Shades of Milk and Honey and I picked up this one and (IIRC) liked it much better. Basically, Kowal's world is set in the Regency period (when George III (the King George of the American Revolution) was considered too mentally ill to run a country, so his son (also named George) was Prince Regent) -- but illusion magic (glamour) is a thing. Kowal talks a lot about the perils of writing 'history with magic' for this series: that the more magic you introduce into our world, the more questions arise about why history remains roughly the same. Kowal limits glamour both through physical rules (it's effects of light and sound, and has to be anchored by the ground, and the glamourist usually has to be right there to manipulate it; they can leave a work and even run it on a loop, but complex patterns are usually done by tricks, and it takes a lot of energy and concentration), but also by social rules: glamour is considered a 'feminine' art: while there are male glamourists who make a living by taking commissions from the rich, a well-taught woman is expected to manage her home's glamours as part of the decor. Even uses in war (which are mentioned in this novel) are more akin to an engineering corps than 'sorcerers throwing fireballs'.
( I don't think I can talk much about this book without spoiling the last )
( I don't think I can talk much about this book without spoiling the last )