beccastareyes: Image of Sam from LotR. Text: loyal (Default)
INspired by comments from [livejournal.com profile] limyaael's latest rant, on arranged marriages.

The play Romeo and Juliet (or a translation of it) actually became quite popular on Daryn. Instead of a tragedy, however, it is usually played as a morality play -- 'See, kids, when you let your hormones decide your marriage prospects instead of your common sense, Bad Things Happen.' Daryn really doesn't have arranged marriages (at least now), but they don't really marry for love -- basically you pick someone you know well, know you can live with without being driven batshit, who would make a good spouse/parent, and of good enough character to get your family's blessing. Some things don't translate well -- for one thing, Montegue and Capulet's parts would usually be rewritten as female ones, as it would be unusual to have a male head of the family, even in modern Darynese culture -- family is one of the areas Darynese culture is most conservative about, and they were a matriarchy.

And, hell, now I need to figure out what pressures brought the Equalist movement into play on their planet. Which means finding out more about the women's rights movement (and aspects thereof) on Earth. AND get their damn government fixed in my mind.

My worldbuilding muse is a harsh mistress.
beccastareyes: Image of Sam from LotR. Text: loyal (Default)
Have been trying to work out the history of one of my alien species in my current writing world. Mainly because it explains why they don't have psionics and didn't really take to them quickly. Humans were at a disadvantage with psionics because the ability most common in them is the ability to sense them being used. Having a psi on Earth before psionics was formally recognized by modern science (and some level of schooling in shielding was put into place) was like having a Christmas tree at a star party -- a very bright thing near a large number of people who don't like light right now.

Story time )

Pick apart, offer suggestions, etc.
beccastareyes: Image of Sam from LotR. Text: loyal (Default)
Okay, so I am thinking of turning my webcomic's story into a novel, since I want to do NaNoWriMo this November, and that means revamping the plot, because I am a far different person than I was when I came up wiht the plot in freshman year of college.

The basics: The Ankaa is a small FTL ship owneed by the Star by Star Exploration Company, an organization devoted to mapping the heavens, selling colonization/mining rights to new planets/systems to pay for upkeep. Original plan was to have them be a non-profit organization, but they might be an international collaboration (feel free to point out flaws to either). They are based out of Earth, and are mostly human, though Starsailors aren't that rare (Maybe 1 in 20 crewmen -- Starsailors would rather cooperate with other species than start their own in competition.) There might be a few Darynese in the organizaiton, since the Darynese don't have a formal space-exploration program and Daryn has the best relations with Earth. Possibly a few other aliens that have emigrated to a human world.
The crew consistes of Phillee, who is the captain and ship's surgeon (and token Starsailor, form oen of the few mixed colonies); Melody (who needs a last name), her human niece/'adopted daughter' (I can explain their family structure -- it would make more sense them) and communications spacialist (thy have a sort of Universal Translator that requires telepathy to use -- this position is disproportionalty filled by a Starsailor); Rikayo Darenka, the ship's engineer and a Darynese; and Alriai Aborin, the ship's pilot and also Darynese. Melody, Riki and Alri are all in their early 20's -- This is Melody and Riki's first misison, Alri might have done something before. Philee is very experienced and in her early 40s.

Plot happens )

Am leaning towards mission #2 and victim #3
beccastareyes: Image of Sam from LotR. Text: loyal (Default)
I worry that the non-humans I write aren't non-human enough in mentality. I think I've gotten it so that they don't feel like the normal 21th century Western humans. Not sure if they feel non-huamn though.

Or, for that matter, in looks. I think that's different for visual media as opposed to prose. Even ignoring the budget considerations, I think there is a reason most aliens were supposed to empathize with in visual media are humanoid (or, less commonly, based on other familiar mammals). Visual media (like television, movies and comics) rely on facial and body language to carry emotion. So, alien characters have to show body language the humans could read.

Books are different, since we are getting the thoughts of a character. A good author can have us pick up that certain gestures mean certain things, and don't correspond one-to-one with human gestures without confusing us. Which may mean I need to work on looks if I turn my webcomic into a writing project.

((This could also explain something [livejournal.com profile] zannechaos noted about how it was weird most geeks considered falling for elves or Vulcans or Mimbari perfectly normal, but they consider falling for anthhropomorphic animals freakish and deviant. Most of the former group have human-looking faces, even if they have funny ears/foreheads/heads. Anthro-animals usually don't.))

On the other hand, people tell me I'm crazy nuts about worldbuilding. Like knowing that the Darynese language has five forms of 'I', and wondering how to write one character's speech as both polite and even a bit humble in terms of the dialect he speaks, and sounding very arrogant to every other Darynese speaker who doesn't know the dialect. Or knowing that Melody calls Phillee 'mother' not because they are biolgoically related (I think Melody might become Phillee's kinda-biological-niece -- I loathe her backstory right now), but because it's the closest English translation to the Starsailor word that describes their relationship.

I think too much, sometimes.

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